#Clean version of the martian movie professional#

What impacted your choices for instrumentation, and did you use many synth sounds? ThereвЂ™s always a hint of danger and malevolence because Mars will kill him if he puts a foot wrong, but in general we thought that a majesty would be more in tune with what we were after as a whole.

There are plenty of long notes in the score, and itвЂ™s not in a hurry most of the time. Then, we thought that actually that approach might be counter to what we were really after, which was to illustrate that Mars actually had this austerity to it, this mystery, and in many occasions, being around Mars was very calming and spacious. Initially, we had thought that perhaps Mars would serve as kind of the monster, the bad guy - in the movie, there isnвЂ™t really a bad guy. Because weвЂ™re on Mars for much of the much of the movie, we had to find a sound, and we had to find a character of Mars. What were some challenges that were unique to working on this project?ДЇirst of all, geographically. Harry Gregson-Williams conducts the score of The Martian. being a Scott brother film, thereвЂ™s plenty of music. I came on early enough to be able to find a tone with him and then experiment a little. So heвЂ™s quite specific about what heвЂ™s looking for in a scene, but not necessarily musically specific. So when he talks about tone and color and lightness and dark, heвЂ™s probably got images in his mind as opposed to music in his mind, but it makes it very straightforward for me to interpret because art and music share this terminology. He does have ideas, but like many directors, we find a language to talk in thatвЂ™s not necessarily musical, although a lot of his terminology is based on art because heвЂ™s an artist first and foremost - I think he paints a lot. What was RidleyвЂ™s involvement in the score, and does he offer ideas for what he wants it to sound like? IвЂ™m going to go straight into it.вЂќ It helps when the writing is tight and innovative and the acting is immensely believable and the editing is so perfectly executed, so itвЂ™s a charm working on a film where the moons seem to have aligned. He called me and said, вЂњListen, youвЂ™ve got to read this script. Ridley called me after I had provided some music for his film last summer, Exodus. Will the '70s Disco Soundtrack of 'The Martian' Be the Next 'Guardians of the Galaxy'? In addition, Gregson-WilliamsВ composed the scores for all four Shrek films, numerous Tony Scott films (2004вЂ™s Man on Fire, 2010вЂ™s Unstoppable) and The Chronicles of Narnia (2005), which earned him a Golden Globe and Grammy nomination.

#Clean version of the martian movie professional#

The film continues a fruitful professional relationship for the composer and director Ridley Scott, with Gregson-Williams also having worked on music for ScottвЂ™s films Exodus: Gods and Kings (2014), Prometheus (2012) and Kingdom of Heaven (2005).

Gregson-Williams composed the score for the Matt Damon-starring sci-fi film, which hit theaters Oct. Harry Gregson-Williams wants Mars to intimidate viewers of The Martian - but not too much.